A series of five seemingly independent action comedy stories, released individually, culminating with “CIA (The Remix)” – the final episode revealing that, if played in the right order, all the stories are one continuous sequence of events.


Stories include a CIA operative sent to kill a North Korean spy masquerading in drag, a narcoleptic grandmother who falls into the dark world of underground boxing, whose storyline becomes caught in an increasingly absurd groundhog-day like death-loop as she gets the last caffeinated laugh over the filmmakers plotting her demise. 

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The Making of CIA

The series began as a series of five separate individual class film assignments at New York University (NYU)’s Tisch School of the Arts introductory narrative class. 



Internally, the film played as a meta-commentary on NYU’s cut and dry approach to “special scenes” (boxing, fake blood, weapons, falling down several flights of stairs, anything to do with the MTA and subway trains, working with children, scooters, skateboards, bicycles, cars) all of which the Juegos Bros were able to accomplish, but in creative ways to comply with policy and execute scenes which they were told were “too dangerous” or “you’d never get approval for that!” 

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